Prole is a print magazine that publishes high quality, accessible poetry and prose. We aim to challenge, engage and entertain - but never exclude.
Available to buy now - issue 20 of Prole - another great issue packed with poetry and prose to engage, entertain and challenge.
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Six distinct and different voices go together to make Caboodle: six short poetry collections gathered in one volume. Each stands in its own right, each with something to say. Some whisper, some sing, some shout – but they all come together to challenge, engage and entertain. Karina Vidler, Gill McEvoy, Russell Jones, Kate Garrett, Angela Croft and Rafael Miguel Montes have created a powerful body of work for both avid
and occasional readers of great poetry.
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The Devil’s Tattoo is Prole’s very own Brett Evans’ debut poetry pamphlet and is now available from Indigo Dreams Publishing.
To read four samples of the twenty poems, or to purchase yourself a copy, visit Indigo Dreams webste.
There's a sense of searching in The Devil's Tattoo, from Wales to the Wild West, the poems progress like the journey of man looking for a lost hero wherever he can. Evans looks to cowboys, villains, poets, and piss artists for answers about what a hero is, only to find the drunk wandering home, the scarecrow in his rags, men looking for ways to stay dry. This is work that cuts through machismo to reveal an aching vulnerability within masculinity itself - a surprisingly tender debut.
Brett Evans’ poems go rollicking through the Wild West of Wales, arm in arm with Ma Rainey, Celtic blood pulsing through their veins. Pints of stout are priests and Jesus is dancing with the Devil on his back. Evans sees his blurred reflection in the river and doesn’t hold back.
Brett Evans has a knowledge of darkness and depth, light, frustration, outskirts and intelligence. His pen paints a complete picture of emotion and detail with an eloquence and understanding of things that only some people can fathom and a bright few can describe. The Devil's Tattoo wrapped me around my core with an innate comprehension and beautiful lyricism.
Museum Pieces, Wendy Pratt
Museum Pieces is the first full collection of poetry from Scarborough born Wendy Pratt (her debut pamphlet Nan Hardwicke Turns Into A Hare, also published by Prolebooks, was favourably reviewed in the Times Literary Supplement as one of the best pamphlets of 2011). In taking a tour through the rooms in Wendy Pratt's museum (from The Portrait Gallery to The Surrealist's Wardrobe) the reader will encounter themes of love, loss, time and recurrence, all written in a startlingly original voice.
In her foreword, Abegail Morley says:
Wendy Pratt has a diverse range of poems in this collection and what draws them together is a combination of loss, stunning imagery (which is at times breath-taking) and the sense that ghosts of the past always rear up, refuse to be forgotten. For me, the beauty lies not just in the words and stunning last lines, but also in the way Pratt shows each part of the book as a “room” and each poem an “exhibit”. I was compelled to follow as she guided me with ease into her private landscape….
…At the heart of the collection, she offers grace and pain in equal measures – the reader never feels overwhelmed or overburdened, the poet has total control. We linger somewhere between darkness and light, slightly troubled, but in the hands of a skilful poet whose voice is strong, crisp and lucid.
Museum Pieces is available now. Order from choices below.
We are proud that here at Prole we are able to pay our contributors a small royalty. Many thanks to those who support us by making a purchase, and of course, to our wonderful writers and artists. You all help to make Prole a success. We do not receive funding, nor do we seek it. We rely on the quality of contributions and the generosity of our buyers. In hard times such as these, we realise that Prole is a luxury purchase - but clearly worth it.
What people are saying about Prole
The Crack, March 2012: 'A riveting read.'
Neon Literary Magazine, February 2011.
...(a) subtly hard-hitting collection...
There is much to be admired in the editorial of this collection: these pieces are woven together with an expert flair...
This collection as a whole--at times tragic, harrowing, moving and uplifting--holds within it many little treasures of new writing, and is combined with a care and sensitivity to make it an undoubtedly enthralling read.
New Pages, August 2010: 'This journal is nothing if not challenging and engaging...artful story telling, skilful weaving, compact wording; no literary tricks, twists, surprise endings or jolts to deliver one deep into their vast little worlds...excellent pieces of creative nonfiction. [Of the poetry] ...there is much to be admired.'
The Crack, July 2010: '...it's great to see a quality new publication giving a platform to new writers...and the standard is...excellent.'
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